Words aren’t like daggers, they are daggers — sharp, sleek extra-stabby musket daggers that slit our collective throats, pump lead into our hearts, gut our bellies, then shoot the innards with more bullets.
If you follow this blog, you’ll remember that I definitively ended all shock jock racism when I drew the line of indecency: Y=mx+b where the slope was a pejorative spoken in adjective form (i.e. thick-lipped, diabetic-prone) and the coefficient “b” was noun slurs (Aunt Jemima, Count Chocula).
I know what you’re going to say. Banning one or two offensive words is a stopgap solution which discounts nuance, context or slang that I may have never even heard of (words such as skankostank, bucketbottom or beelzeboobs), while ignoring the larger picture issue of the base values being promoted and idolized within the black community.
But instead of focusing on those values, I’ve developed a mathematical system to censor out all the filth. Considering the complexity and innuendos present in modern rap music, it’s clear that drawing a simple line will not work. For this, we’ll need a parabolic curve (Y= ax squared).

Let’s look at some examples. For obvious offensive lyrics, just add up all the words that offend in the stanza to get the slope.
Like this Ludacris line from “Bitch, Get out the way”
Move bitch, get out the way, bitch get out the way. (3 — Two for the “b” word and one for the impolite way the lady was asked to change her course of direction.)
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